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  • Fine Arches Aquarelle Cold pressed A5* Hand stitched & Bound, Watercolour Studio Book, 300gsm 22 Pages (44 sides) with trimmed signatures. Chiyogami paper cover. Italian Linen spine.

Fine Arches Aquarelle Cold pressed A5* Hand stitched & Bound, Watercolour Studio Book, 300gsm 22 Pages (44 sides) with trimmed signatures. Chiyogami paper cover. Italian Linen spine.

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Fine Arches Aquarelle Cold pressed A5* Hand stitched & Bound, Watercolour Studio Book, 300gsm 22 Pages (44 sides) with trimmed signatures. Chiyogami paper cover. Italian Linen spine.


Beautiful paper. Ideal for all water-based mediums and for artists who wish to try out specialist watercolour paper. Hand stitched & bound, with stripey silk headbands top & bottom. Covered in a selection of fine Linens from Antwerp & Italy. Arches Aquarelle watercolour paper is a 100% cotton paper. 


Arches Watercolour Paper is a professional grade watercolour paper of the highest quality. Manufactured in the same French mill since 1492, Arches watercolour papers are produced on a cylinder mould with pure French stream water. Made with natural gelatin sizing; naturally white containing no optical brighteners offers optimal longevity. Each sheet of Arches watercolour paper is hand inspected to ensure consistency and durability.


Arches is strong enough to handle multiple washes of colour, masking fluid, scrubbing and artist tape without damage to the surface. Each sheet is permeated with sizing to give each fibre a consistent feel and absorbency. A5* is a Quarto size, traditional French paper sizes mean that the finished block is slightly smaller than A5, this is due to the traditional measurements of the original paper size and the finished book is about 1cm smaller all round, than standard A5 sizing.

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Every book is bound and crafted  by hand. 

I work closely with artists, writers, printmakers and creative professionals across the UK and internationally, producing bespoke sketchbooks, journals, and folios that meet your individual needs.   If you’re looking for something particular — a custom format, specific paper, or a unique binding — feel free to get in touch. I welcome commissions, and I’m happy to discuss ideas by email.

​Wen Roberts

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