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  • Workshops information
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  • Contact our studio 074 8466 3175
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  • Studio-ready Artists' Sketchbooks
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  • A4* Quarto Studio book with a mix of Arches Rough & Hot pressed 300gsm papers 45 pages (90) sides

A4* Quarto Studio book with a mix of Arches Rough & Hot pressed 300gsm papers 45 pages (90) sides

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Our range of leather bound sketchbooks are a new addition to our ever-expanding collection.

Each one is hand stitched and covered in fine artisan, Italian calfskin.

Natural shades and subtle textures, they contain our most popular fine art papers. 45 pages of the finest watercolour paper in a 300gsm weight.

Ideal for outdoor work or in your studio. 50/50 mix of rough & hot pressed papers.


Arches Watercolour Paper is a professional grade watercolour paper of the highest quality. Manufactured in the same French mill since 1492, Arches watercolour papers are produced on a cylinder mould with pure French stream water. Made with natural gelatin sizing; naturally white containing no optical brighteners offers optimal longevity. Each sheet of Arches watercolour paper is hand inspected to ensure consistency and durability. Arches is strong enough to handle multiple washes of colour, masking fluid, scrubbing and artist tape without damage to the surface. Each sheet is permeated with sizing to give each fibre a consistent feel and absorbency. A4* is a Quarto size, traditional French paper sizes mean that the finished block is slightly smaller than A4, this is due to the traditional measurements of the original paper size and the finished book is about 1cm smaller all round, than standard metric A4 sizing.


(Leather is a natural product and any surface blemishes are part of the characteristics of the material, not a fault.)

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Every book is bound and crafted  by hand. 

I work closely with artists, writers, printmakers and creative professionals across the UK and internationally, producing bespoke sketchbooks, journals, and folios that meet your individual needs.   If you’re looking for something particular — a custom format, specific paper, or a unique binding — feel free to get in touch. I welcome commissions, and I’m happy to discuss ideas by email.

​Wen Roberts

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